Born in 1975 in Pakistan, brought up in Manchester and now living in Blackburn, Lancashire, Halima’s varied, multi-cultural background is tangibly present in her work.
A natural creativity presented itself at an early age and was nurtured to fruition as Halima carved her way through an art-based education: an undergraduate degree in 1997 and an MA in 2002.
The culmination of this process is Halima’s precociously mature work. Fusing her Asian roots with a fascination for African pattern work and a passion for architectural geometry, Halima’s work is intense yet playful, structured yet creative; substantial yet dynamic and invariably compelling in its originality.
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Where does Halima’s pre-occupation with carved form spring from? What are the roots of her fascination with carved space? These all-embracing obsessions of bringing into being the poetry of faceted forms are her creations.
They are buried in layers of forgotten history, like subcutaneous memories waiting to be plumbed; like the ocean deep they float in darkness waiting to be revealed by the light. Halima carves out parts of her history, an exorcism of thought forms, a compulsion to make manifest the intangible, transmuting it into something hard and permanent. Like life everything begins with the energy of a thought.
Halima forms are energetic expressions of her psyche linking two cultures, like left and right hemispheres of the brain; logic and reason married to irrationality in order to formulate a style of working. Like slightly shifting sands her work refuses to stand still. Halima want her work to be on the edge of reason yet speaking with an eloquence that is understood by the universal consciousness altered states yet accessible tectonic plates in dialogue, setting up tensions, the Ley Lines of her world made visible within the forms and folds of her beloved earth.