• two large standing sculptures in garden
  • tall wooden sculpture on top of hill over looking view
  • White sculpture in front of window
  • Vintage staircase with sculpture on plinth
  • cream sculpture near window
  • white carved structure in ribbon shaped
  • dark bowl shaped sculpture on wood window sill
  • Sculpture on oak table
  • Dark almost black carved spherical sculpture
  • white tear shaped sculpture in front of window
  • five sculptures infront of bright window
  • pointed white sculpture with black background
  • two sculptures, one brown and one cream facing each other in an exhibition
  • orange spherical sculpture on window ledge

Halima Cassell: Artist & Sculptor

Combining strong geometric elements with recurrent patterns and architectural principles, Halima’s work utilises definite lines and dramatic angles in an attempt to manifest the universal language of number and create an unsettling sense of movement.

To achieve these effects she uses relatively thick surfaces or solid forms to carve to the desired depth. Halima concentrates on simple forms as the basis of her work in order to maximise the impact of the complex surface patterns in combination with heavily contrasting contours.

This approach provides her with the tools to create the compelling drama and playful dynamism that characterises her work.


  • While working, Cassell becomes deeply involved in each piece to the point where she is unaware of her surroundings even watching her work on a piece for a few minutes, it is obvious that the process commands all her attention
    – Emmanuel Cooper

  • The geometry and the mathematics involved in Halima’s work have the same effect on me as listening to Bach: she manages to get the same essential harmony of shape, form and detail. Her pieces are deeply fashioned, which is unusual in ceramics
    – Eric Knowles (Ceramics Expert)

  • The work is of a high standard and creates an interesting contrast to the Da Vinci drawing. Can see the evolution of the process and the sculptures convey different ideas and theories. An excellent artist.
    – Jina

  • …Although Cassell is creating in different media – and respecting the unique characteristics of her material while doing so – she is also intent on discerning just how bronze, glass, marble and clay can ‘speak the same language
    – Ian Wilson

  • Her profound understanding of the geometric rules governing any given pattern, allow her to bend, or even break them.
    – Peter Randell-Page, Sculptor

  • Halima’s work demonstrates incredible dedication and energy; one thing is clear, she will be among the future pathfinders and leaders.
    – Alan Grieve, Chairman, The Jerwood Foundation

  • Cassell’s work encompasses and generates complexity and surprise. All of her sculptural work shares a language of geometry and volume but each is intriguingly different
    – Elli Herring

  • Halima Cassell is a maker of considerable versatility, who has extended her signature work in clay to a range of new materials, including marble, glass and porcelain
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • I love this artist’s work. How she keeps her molten flowing themes through different media – stone, concrete, wood and even glass. Long to touch them. What a unique eye and hand she has. Wonderful.
    – Maureen Lepman

  • Working mostly with ‘naked clay’, that is without the use of glaze or slip, Cassell first carefully carves and then smoothes and burnishes to remove any blemishes, so virtually making the surface ‘ disappear’, leaving the form clean and prominent
    – Emmanuel Cooper