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  • While working, Cassell becomes deeply involved in each piece to the point where she is unaware of her surroundings even watching her work on a piece for a few minutes, it is obvious that the process commands all her attention
    – Emmanuel Cooper

  • Cassell’s Work Is Subliminal in its originality, having no parallel in the sculptural or crafts genres, whose borders it crosses.
    – Jean Vacher, Collections Manger, Crafts Study Centre, Farnham

  • The most inspiring ceramic work I have seen in thirty years! Beautiful, mesmerising, powerful and thoughtful. Genius! Love, love, love this work.
    – Judith Ramsgate, 53 years old

  • Halima Cassell is a maker of considerable versatility, who has extended her signature work in clay to a range of new materials, including marble, glass and porcelain
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • She was sketching constantly and continually sought to transpose her drawings into sculptural forms. The surface as well as the shapes emerged together in sculpture which often combined enormous complexity with simplicity and unity.
    – Helaine Blumenfeld OBE FRBS Dlitt

  • Halima’s work demonstrates incredible dedication and energy; one thing is clear, she will be among the future pathfinders and leaders.
    – Alan Grieve, Chairman, The Jerwood Foundation

  • It is not easy to put into words the effect that Halima Cassell’s remarkable ceramic sculptures have on you when you first encounter a well displayed section of her work
    – Zachary Kingdom

  • I love this artist’s work. How she keeps her molten flowing themes through different media – stone, concrete, wood and even glass. Long to touch them. What a unique eye and hand she has. Wonderful.
    – Maureen Lepman

  • Beautiful – amazing to see someone work with such a variety of material to create such stunning, intricate pieces. I can imagine them out in the world, near water and nature. Beautiful, thank you.

  • Her profound understanding of the geometric rules governing any given pattern, allow her to bend, or even break them.
    – Peter Randell-Page, Sculptor