• White sculpture in front of window
  • orange spherical sculpture on window ledge
  • Dark almost black carved spherical sculpture
  • tall wooden sculpture on top of hill over looking view
  • two sculptures, one brown and one cream facing each other in an exhibition
  • five sculptures infront of bright window
  • two large standing sculptures in garden
  • cream sculpture near window
  • white tear shaped sculpture in front of window
  • dark bowl shaped sculpture on wood window sill
  • pointed white sculpture with black background
  • Sculpture on oak table
  • Vintage staircase with sculpture on plinth
  • white carved structure in ribbon shaped

Halima Cassell: Artist & Sculptor

Combining strong geometric elements with recurrent patterns and architectural principles, Halima’s work utilises definite lines and dramatic angles in an attempt to manifest the universal language of number and create an unsettling sense of movement.

To achieve these effects she uses relatively thick surfaces or solid forms to carve to the desired depth. Halima concentrates on simple forms as the basis of her work in order to maximise the impact of the complex surface patterns in combination with heavily contrasting contours.

This approach provides her with the tools to create the compelling drama and playful dynamism that characterises her work.


  • Her signature material is clay, which she moulds and carves with natural authority and no little dexterity. Her crisply cut and satisfying forms live on in the mind… She is a force of nature.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • Beautiful – amazing to see someone work with such a variety of material to create such stunning, intricate pieces. I can imagine them out in the world, near water and nature. Beautiful, thank you.

  • While working, Cassell becomes deeply involved in each piece to the point where she is unaware of her surroundings even watching her work on a piece for a few minutes, it is obvious that the process commands all her attention
    – Emmanuel Cooper

  • Her profound understanding of the geometric rules governing any given pattern, allow her to bend, or even break them.
    – Peter Randell-Page, Sculptor

  • It is not easy to put into words the effect that Halima Cassell’s remarkable ceramic sculptures have on you when you first encounter a well displayed section of her work
    – Zachary Kingdom

  • The work is of a high standard and creates an interesting contrast to the Da Vinci drawing. Can see the evolution of the process and the sculptures convey different ideas and theories. An excellent artist.
    – Jina

  • I love this artist’s work. How she keeps her molten flowing themes through different media – stone, concrete, wood and even glass. Long to touch them. What a unique eye and hand she has. Wonderful.
    – Maureen Lepman

  • Working mostly with ‘naked clay’, that is without the use of glaze or slip, Cassell first carefully carves and then smoothes and burnishes to remove any blemishes, so virtually making the surface ‘ disappear’, leaving the form clean and prominent
    – Emmanuel Cooper

  • She set very high standards for herself and was tireless in her efforts to reach them. After just three months she was able to carry out complex, compelling, delicate and dynamic work.
    – Helaine Blumenfeld OBE FRBS Dlitt

  • Her main preoccupation and sculptural impulse is to penetrate beneath the skin of the form to reveal the structure within – the crystalline seed of the stone, or the skeleton-like armature she perceives within the clay. She does not carve exteriors but reveals interiors – the folded abstract inner landscapes of her singular and highly imaginative vision.
    – Andrew Lambirth, Art Critic - Spectator Magazine