Artist & Sculptor

Combining strong geometric elements with recurrent patterns and architectural principles, Halima’s work utilises definite lines and dramatic angles in an attempt to manifest the universal language of number and create an unsettling sense of movement.

To achieve these effects she uses relatively thick surfaces or solid forms to carve to the desired depth. Halima concentrates on simple forms as the basis of her work in order to maximise the impact of the complex surface patterns in combination with heavily contrasting contours.

This approach provides her with the tools to create the compelling drama and playful dynamism that characterises her work.


  • Her profound understanding of the geometric rules governing any given pattern, allow her to bend, or even break them.
    – Peter Randell-Page, Sculptor

  • Cassell’s work encompasses and generates complexity and surprise. All of her sculptural work shares a language of geometry and volume but each is intriguingly different
    – Elli Herring

  • Beautiful – amazing to see someone work with such a variety of material to create such stunning, intricate pieces. I can imagine them out in the world, near water and nature. Beautiful, thank you.

  • I find her work uplifting, I would never consider buying it solely as an investment
    – Eric Knowles (Ceramics Expert)

  • The geometry and the mathematics involved in Halima’s work have the same effect on me as listening to Bach: she manages to get the same essential harmony of shape, form and detail. Her pieces are deeply fashioned, which is unusual in ceramics
    – Eric Knowles (Ceramics Expert)

  • Halima’s work demonstrates incredible dedication and energy; one thing is clear, she will be among the future pathfinders and leaders.
    – Alan Grieve, Chairman, The Jerwood Foundation

  • It is not easy to put into words the effect that Halima Cassell’s remarkable ceramic sculptures have on you when you first encounter a well displayed section of her work
    – Zachary Kingdom

  • Her main preoccupation and sculptural impulse is to penetrate beneath the skin of the form to reveal the structure within – the crystalline seed of the stone, or the skeleton-like armature she perceives within the clay. She does not carve exteriors but reveals interiors – the folded abstract inner landscapes of her singular and highly imaginative vision.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • I love this artist’s work. How she keeps her molten flowing themes through different media – stone, concrete, wood and even glass. Long to touch them. What a unique eye and hand she has. Wonderful.
    – Maureen Lepman

  • She set very high standards for herself and was tireless in her efforts to reach them. After just three months she was able to carry out complex, compelling, delicate and dynamic work.
    – Helaine Blumenfeld OBE FRBS Dlitt