Articles and Reviews

Craft Arts International

Craft Arts International

Issue number 89


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Ceramic Review

Ceramic Review

July/August Edition as seen in Ceramic Review


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New York Times

New York Times

2015


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Ceramic Review

Ceramic Review

Issue 221 Jan/Feb 2005


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Ceramic Review May-June-2019

Ceramic Review May-June-2019


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HocTok - Natural Creativity

HocTok - Natural Creativity

 

 Natural Creativity by Halima Cassell


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Home and Antiques

Home and Antiques

 November 2014


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Big Issue (North)

Big Issue (North)

525 - 2004


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Crafts

Crafts

The magazine for contemporary craft 


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Hyperseeing

Hyperseeing

The Publication of the International Society of the Arts, Mathematics, and Architechure

Summer 2014


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Ceramic Art & Perception

Ceramic Art & Perception

Issue 78 2009


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Live Ribble Valley

Live Ribble Valley

Issue 72


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The Spectator

The Spectator

25 August, 2012


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POSITIVE

POSITIVE

POSITIVE about mental health and learning disability August 2007


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International Gallerie

International Gallerie

Vol. 8 No.1 2005


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Keramic kingroot Magazine Europa (Germany)

Keramic kingroot Magazine Europa (Germany)

Issues 30 2008


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Nukta Art (Pakistan)

Nukta Art (Pakistan)

Vol.2 2007


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House and Garden

House and Garden

February 2015


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idFX

idFX

Inspiration for interior design professionals, October 2004


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Architectural Digest

Architectural Digest

February 2015


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Lancashire & North West

Lancashire & North West

January 2015


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Vogue (Germany)

Vogue (Germany)

November 2016 


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Art & Architecture Journal

Art & Architecture Journal

Number 68/69 Autumn 2009


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The Lancashire of the North West

The Lancashire of the North West

May 2013


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TACS Glazed expressions magazine

TACS Glazed expressions magazine

Issue 68 2011


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Ceramic Review March/April 2009

Ceramic Review March/April 2009

March/April 2009


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Design 132

Design 132

Taiwan Contemporary Dec/Jan  2006/07


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Emel

Emel

The muslim lifestyle magazine, December 2010


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Fuki County Paper

Fuki County Paper

Fuki, Japan, March  2007


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Lancashire Telegraph Monday

Lancashire Telegraph Monday

September 17,  2012


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  • Halima’s work demonstrates incredible dedication and energy; one thing is clear, she will be among the future pathfinders and leaders.
    – Alan Grieve, Chairman, The Jerwood Foundation

  • Halima Cassell is a maker of considerable versatility, who has extended her signature work in clay to a range of new materials, including marble, glass and porcelain
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • She set very high standards for herself and was tireless in her efforts to reach them. After just three months she was able to carry out complex, compelling, delicate and dynamic work.
    – Helaine Blumenfeld OBE FRBS Dlitt

  • The most inspiring ceramic work I have seen in thirty years! Beautiful, mesmerising, powerful and thoughtful. Genius! Love, love, love this work.
    – Judith Ramsgate, 53 years old

  • …Although Cassell is creating in different media – and respecting the unique characteristics of her material while doing so – she is also intent on discerning just how bronze, glass, marble and clay can ‘speak the same language
    – Ian Wilson

  • I find her work uplifting, I would never consider buying it solely as an investment
    – Eric Knowles (Ceramics Expert)

  • It is not easy to put into words the effect that Halima Cassell’s remarkable ceramic sculptures have on you when you first encounter a well displayed section of her work
    – Zachary Kingdom

  • Her profound understanding of the geometric rules governing any given pattern, allow her to bend, or even break them.
    – Peter Randell-Page, Sculptor

  • Her main preoccupation and sculptural impulse is to penetrate beneath the skin of the form to reveal the structure within – the crystalline seed of the stone, or the skeleton-like armature she perceives within the clay. She does not carve exteriors but reveals interiors – the folded abstract inner landscapes of her singular and highly imaginative vision.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • She was sketching constantly and continually sought to transpose her drawings into sculptural forms. The surface as well as the shapes emerged together in sculpture which often combined enormous complexity with simplicity and unity.
    – Helaine Blumenfeld OBE FRBS Dlitt